The Little Mermaid (statue) in Copenhagen

Design, commission and models

The commission came from brewer and patron Carl Jacobsen, who admired a stage interpretation and wanted a permanent representation on the waterfront. Eriksen executed the sculpture in bronze. The head of the statue was modelled after the ballerina Ellen Price, who danced the role on stage; however, because she declined to pose nude, the sculptor's wife, Eline Eriksen, modelled for the body. The combination produced a restrained, contemplative figure that emphasizes mood over movement.

Location and physical characteristics

The statue sits on a rock just off the Langelinie promenade and is accessible to visitors along the harbour edge. Despite its symbolic prominence, the figure is modest in scale and deliberately low to the water, creating an intimate relationship with the sea and the shoreline. It is frequently described simply as a statue of a mermaid, yet its cultural resonance connects to Denmark's literary and maritime traditions.

History, significance and reception

From its unveiling in 1913 the work has been both beloved and debated: admired for its quiet melancholy and criticized by some for its small size compared with the attention it attracts. As a gift from the Jacobsen family—whose brewery legacy is associated with Carlsberg—the statue also illustrates early 20th‑century patterns of private patronage of public art. Over time the figure has been reproduced in souvenirs, postcards and cultural references, strengthening its role as an unofficial emblem of Denmark.

Vandalism, restoration and conservation

The statue has been the target of repeated attacks and political protests since the mid‑20th century. Acts have included paintings, decapitation and other physical damage. Notable episodes saw the head removed and later returned, and an explosive device knocked the figure off its base in 2003; each time the sculpture has been repaired and restored to its rock. These incidents have provoked discussion about protection of public monuments, freedom of expression and the tensions between tourism and preservation. For commentary on these themes, see material on vandalism and cultural property.

Visiting and further reading

• Location: harbourfront near Langelinie, Copenhagen, Denmark.
• Inspiration: Andersen's tale, commonly titled The Little Mermaid, and related stage adaptations.
• Artists and patrons: sculptor Edvard Eriksen and patron Carl Jacobsen.

The Little Mermaid continues to draw debate about how small-scale public art can carry large symbolic weight, and how cities balance accessibility with the need to protect historic works. For images and official visitor information consult local cultural resources and museum guides Den lille Havfrue, or further archives on public sculpture and the history of Copenhagen's harbourfront.