Overview

The cantilever is a recognized field move in figure skating: it is neither a jump, nor a spin, nor a spiral, but a showy edge element in which the skater bends the torso backward while traveling on a deep lean across the ice. The resulting silhouette—back nearly parallel to the ice, legs under the body and weight supported on the edge—makes the cantilever a striking and theatrical element often used in exhibitions, show programs, and as an accent in competitive routines. For a visual reference see video or resource.

Technique and characteristics

Performing a cantilever requires edge control, strength, and flexibility. The skater typically moves on a deep inside or outside edge while adopting either a spread-eagle foot placement or a low squatting stance often called a Besti squat. From that traveling edge the skater leans the body far backward until the back approaches parallel to the ice. Hands may be placed on the ice for support or left off the surface for a cleaner line.

  • Starting positions: spread eagle (heels turned outward, feet on parallel edges) or a low squat with knees turned outward.
  • Edge and lean: a strong, sustained deep edge keeps the skater balanced while the torso drops backward.
  • Torso and arm placement: variations include hands on the ice, one hand down, or no hands; arms may be extended for dramatic effect.
  • Speed and travel: many cantilevers are performed while traveling across the ice rather than held in place to enhance the visual sweep.

History and development

The cantilever emerged from show-skating traditions where dramatic, athletic poses were valued for audience appeal. It is commonly associated with long-time show performers and was popularized in modern competition by skaters who incorporated it into their programs to add theatrical emphasis. The move traces back in show contexts to early 20th-century performers and was reintroduced to competitive audiences by prominent skaters who showcased it repeatedly.

There are several ways to modify the cantilever to suit choreography or the skater’s strengths. Common variations include:

  • Hands-on-ice cantilever: both palms touching the ice for a grounded look and extra support.
  • One-handed or no-handed cantilever: increased balance demand and cleaner visual line.
  • Traveling cantilever: covering distance across the rink for greater effect.

The cantilever is often discussed alongside moves in the hydroblade family—both involve extreme edge lean and low body positions—but each has distinct body alignment and historical associations.

Uses, training and safety considerations

Choreographers use the cantilever to punctuate music, highlight a transition, or create a memorable moment in a program. Because the move places unusual stress on the lower back, hips, knees and wrists, skaters usually build toward it with off-ice conditioning, core and hip-strength work, and progressive on-ice drills. Proper technique and gradual introduction reduce risk: instructors emphasize edge control, hip mobility, and safe hand placement. Skaters with back or wrist limitations should approach the cantilever cautiously or use modified forms.

Notable facts

The cantilever remains a crowd-pleasing element in both gala and competitive skating. Its dramatic look and the physical control required make it a signature move for skaters who wish to combine athleticism with theatrical presentation. While not a technically scored jump or spin, the cantilever contributes to program character, interpretation, and the visual impact of a performance.