Max Reger (1873–1916) — German composer, organist and pianist

Music and style

Reger's music is characterized by dense harmonies, complex polyphony and a strong commitment to counterpoint inspired by Baroque models. He admired J. S. Bach and treated chorale and fugal forms as living resources, adapting them to late‑Romantic chromatic language. His works often interweave traditional forms such as fugue and chorale with dense orchestral or keyboard textures.

Works and genres

• Organ music: chorale preludes, fantasias and large-scale works that remain central to the instrument's repertoire.
• Choral and sacred music: motets, cantatas and larger liturgical pieces reflecting his contrapuntal approach.
• Orchestral and chamber music: concertos, symphonic poems, and intimate chamber pieces showing a range of colors and formal ambition.
• Piano and songs: complex keyboard pieces and numerous lieder for voice and piano.

Reger's output is notable for its quantity and seriousness of craft: he wrote in many genres and frequently returned to counterpoint as a structural principle. While sometimes criticized in his lifetime for density and complexity, many later performers and scholars have valued the formal rigor and expressive intensity of his music.

Legacy

As a teacher and performer, Reger helped transmit Bachian technique into 20th‑century practice and influenced organists and composers who followed. His works continue to be performed, particularly by organists and choirs, and he is remembered for bridging Baroque formal models with late‑Romantic harmonic language.