Shake Away, known in Spanish as Ojo de Culebra, is the sixth studio album by Mexican singer Lila Downs. Recorded in locations including New York and regions of Mexico, the record expands Downs's signature fusion of traditional Mexican elements with contemporary popular styles. Most tracks were written by Downs in collaboration with Paul Cohen, and the album mixes acoustic instruments with electronic production and rock-influenced arrangements.

Musical character and languages

The album moves between genres: bolero-influenced balladry, bluesy and folk textures, Latin rock grooves and subtle electronic touches. Vocals appear in several languages, reflecting Downs's interest in cultural identity; Spanish and English are prominent, and she often incorporates indigenous voices or references in her work. The instrumentation ranges from guitar, accordion and percussion to synthesized atmospheres and modern studio effects.

Notable tracks and covers

  • Several songs are original compositions by Downs and Cohen, exploring personal and social themes.
  • The record features reinterpretations of established material, such as a version of "Black Magic Woman" (originally associated with Peter Green), and covers like "I Envy the Wind." Peter Green's composition is given a fresh musical context on the album.
  • Guest vocalists and duets appear on a number of tracks, adding variety to the album's tonal palette.

Collaborations and contributors

Downs invited several notable artists to contribute, creating a collaborative atmosphere across the record. Contributions include performances with celebrated Latin musicians and voices from different traditions; among those named in association with the project are Enrique Bunbury, La Mari and veteran folk singer Mercedes Sosa. The collaborative approach emphasizes exchange between popular and folk idioms, and between generations of singers.

Context, reception and significance

Released as part of Downs's ongoing effort to bring indigenous and regional Mexican music into broader international conversation, Shake Away received attention for its adventurous arrangements and cross-genre ambition. Critics and listeners noted the album's balance of intimate storytelling and bold reinterpretation of familiar songs. The record helped consolidate Downs's reputation as an artist who bridges traditional roots and contemporary sounds, and it is often discussed alongside her other bilingual and cross-cultural projects.

Further notes and distinctions

Songwriting credits emphasize the partnership between Downs and her longtime collaborator Paul Cohen; exceptions include the recognized covers credited to other songwriters. The album is typically categorized within world music and Latin pop/rock contexts and is of interest to listeners who follow contemporary interpretations of Mexican folk, bilingual songwriting, and cross-cultural collaboration. For more information about the artist and album background see links to artist pages and regional resources provided below.

Related links: artist profile, Latin music overview, Mexico music scene, recording locations, song origins, guest contributors.