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Another Perfect Day (Motörhead album)

Another Perfect Day is Motörhead's sixth studio album, released in 1983. Known for its melodic guitar work and divisive reception, it reached number 20 on the UK charts and remains a notable entry in the band's catalog.

Another Perfect Day is the sixth studio album by the British rock band Motörhead, released in 1983. It arrived during a period of lineup change and stylistic experimentation, and it reached number 20 on the UK charts. The record is often discussed for its contrast with the band’s earlier, rawer sound.

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Overview and musical style

The album blends Motörhead’s trademark driving rhythms and gritty vocals with more prominent, melodic lead guitar passages. This shift gave several tracks a different tonal character from the band’s preceding records, introducing a sharper, more guitar-oriented texture while retaining the group’s energetic pace and attitude.

Personnel and production

The recording features the core presence of the band’s frontman and bassist alongside changes in the guitar role that influenced the album’s sound. Production credits reflect a studio approach that emphasized clarity in the guitar and rhythm parts. The record stands out as the band’s only studio album to include that particular lead-guitar contributor, making it a distinct entry in Motörhead’s discography.

Reception, charts and tour

At release the album received mixed reviews: some listeners and critics welcomed the expanded melodic elements, while others preferred the raw intensity of earlier efforts. Commercially it performed respectably, entering the UK charts at number 20. The subsequent tour and live response were important in shaping how the album was perceived by fans and the band itself.

Notable aspects and legacy

  • It is the band’s sixth studio release and a frequently cited example of Motörhead experimenting with a different guitar style.
  • The album’s divergent tone has led to later reassessments that appreciate its musicianship and variety.
  • Collectors and long-term listeners often point to the album when discussing the group’s evolution through the early 1980s.

For listeners exploring Motörhead’s body of work, Another Perfect Day represents a transitional record that highlights how personnel and production choices can reshape a band’s sound. Further context about the band and genre can be found on pages covering the group’s biography and the wider heavy metal scene. Contemporary press coverage and later retrospectives are available through discography summaries and music-reference sources: see the band’s discography entry, historical chart listings from 1983, and dedicated artist profiles for background.

Backgrounds

Guitarist Eddie Clarke left the band during the tour for the previous album Iron Fist. He was replaced by Brian Robertson (ex-Thin Lizzy), whom Lemmy Kilmister had known for several years. With him, Motörhead went into the recording studio in March 1983 to record Another Perfect Day. Robertson participated in the songwriting for a large part of the songs, which resulted in more melodic guitar work compared to the albums recorded up to that point.

During the Another Perfect Tour, tensions arose in the band because Robertson refused to play old Motörhead tracks. At a concert in Hannover Robertson wanted to play the title track of the album Another Perfect Day three times in a row. Robertson was kicked out of the band in November 1983.

Title List

  1. Back at the Funny Farm (Clarke, Lemmy, Taylor) - 4:14
  2. Shine (Kilmister, Robertson, Taylor) - 3:11
  3. Dancing on Your Grave (Lemmy, Robertson, Taylor) - 4:29
  4. Rock It (Clarke, Lemmy, Taylor) - 3:55
  5. One Track Mind (Lemmy, Robertson, Taylor) - 5:55
  6. Another Perfect Day (Lemmy, Robertson, Taylor) - 5:29
  7. Marching off to War (Lemmy, Robertson, Taylor) - 4:11
  8. I Got Mine (Clarke, Lemmy, Taylor) - 5:24
  9. Tales of Glory (Lemmy, Robertson, Taylor) - 2:56
  10. Die You Bastard! (Clarke, Kilmister, Robertson) - 4:25

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