Prussian blue
Prussian blue is a deep blue synthetic pigment (ferric ferrocyanide) first produced in early 18th‑century Berlin, widely used in art, printing, textiles, engineering and some medical treatments.
Overview
Prussian blue is a dark, intense blue pigment and inorganic compound that has been widely used since the early 1700s. It produces a cool, deep blue distinct from natural ultramarine and organic indigo. The pigment is valued for its strong tinting power, relatively low cost and generally good lightfastness compared with many early organic dyes. For a representative color sample and descriptions of its modern digital matches, see reference materials available online.
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10 ImagesChemistry and properties
Chemically, Prussian blue is commonly represented by the formula Fe4[Fe(CN)6]3·xH2O and is described as ferric ferrocyanide or iron(III) ferrocyanide. Its intense blue hue arises from intervalence charge transfer between iron(II) and iron(III) centers in the coordination network. The pigment is an insoluble coordination polymer and is classed as an inorganic pigment. It shows good tinting strength, moderate permanence, and several varieties or shades can be produced by altering preparation conditions; it is discussed in surveys of early synthetic pigments.
History and discovery
Prussian blue was discovered accidentally in Berlin in the early 18th century and is usually associated with Johann Jacob Diesbach and collaborators working in a color-maker's workshop. The serendipitous finding changed color manufacture and rapidly spread through Europe, offering a reliable blue that was cheaper than ultramarine. For historical overviews see introductions to the pigment's origins here and biographical notes on the early workers here. The city of origin and its role in early industrial colour production are discussed in local histories here.
Production and manufacturing
Traditional manufacture involves the controlled reaction of soluble ferrocyanide salts with iron(III) salts, producing a dark precipitate of the pigment that is filtered, washed and milled to the desired particle size. Variations in counter-ions, hydration and particle processing yield different tones and handling properties. The basic chemistry also underlies historical blueprint and cyanotype photographic processes in which iron compounds and light-sensitive iron salts produce Prussian blue images when developed; technical descriptions and procedures are summarised here.
Uses and cultural impact
Prussian blue has found many applications:
- Art: It became a staple pigment in European and Japanese painting, printmaking and illustration. Its introduction influenced 19th‑century ukiyo‑e prints and the palettes of Western oil painters, offering a stable, economical blue for large areas and deep shadows; see an art context here.
- Textiles and uniforms: The deep blue was used as a dye for cloth and uniforms, including the dark coats associated with the historical Prussian state; historical textile notes are available here.
- Industrial and technical: The pigment and related iron–cyanide chemistry have roles in engineering, printing, and corrosion studies; practical and technical references are compiled here and here.
- Medicine: Certain pharmaceutical-grade forms of Prussian blue are licensed for oral use to help remove specific heavy metals and some radioactive isotopes from the body by binding them in the gut and reducing absorption; regulatory and safety information is available here.
Variations, related compounds and safety
Turnbull's blue is closely related and historically discussed alongside Prussian blue; in many analytical contexts the two are chemically similar or identical in structure. Although the pigment contains cyanide as part of a strongly bound complex, intact Prussian blue pigment is generally regarded as of low toxicity in typical pigment use. Industrial production and handling, however, follow standard chemical safety precautions because the manufacturing steps and soluble precursors can present hazards. Further chemical and safety background is provided here and here.
Identification and conservation
In conservation and scientific study, Prussian blue is identified by its characteristic spectroscopic signatures (UV‑visible, Raman), X‑ray diffraction patterns and elemental analysis. Conservators monitor its stability in artworks; under some conditions the pigment can undergo chemical changes or interact with other materials, so cleaning and restoration require specialist assessment. Practical conservation guidance and case studies are discussed in conservation literature and technical notes here and here.
Nomenclature
Berlin blue was offered under many different names. The designations refer to the names of the inventors or manufacturers, the places of manufacture, the color shades, the applications or the chemical components and processes. The varieties may differ in color cast. All names refer to blue pigments based on the Fe(II)/Fe(III) cyano complex and differ only slightly in composition. The type and amount of alkali metal or ammonium ions used influences the production of certain color shades. Historically, the pigment was marketed as blue salt. In the Colour Index, Berliner Blau is listed as C.I. Pigment Blue 27 by colour and by structure as C. I. 77510 for potassium-doped iron blue and C.I. 77520 for ammonium-sodium iron blue, respectively.
Diesbach blue is named after the actual inventor. Turnbull's blue was developed in 1828 by John Turnbull Jr. and distributed through the Scottish company Turnbull & Ramsay in Glasgow. Turnbull's blue is a blue pigment formed from red blood liquor salt with excess iron(II) ions. It is obtained by reacting ferrous salts with potassium hexacyanidoferrate(III) in aqueous solution. Initially, it was assumed that the dark blue precipitate formed had a different composition from the Berlin blue obtained by reacting ferric salts with potassium hexacyanidoferrate(II) (yellow blood leach salt). However, by means of EPR and Mößbauer spectroscopy, it was found that the reaction products are largely identical, since the following equilibrium exists:
Milori blue refers to cooked varieties of the pigment, which have a somewhat warmer reddish hue and were first produced by the Milori de France company. According to Diesbach, this company had obtained a blue pigment by a different process, which is somewhat weaker in color strength compared to Prussian blue. The name Milori blue has survived to the present day. Vossenblau was named after L. Vossen & Co G.m.b.H. near Düsseldorf, which was the exclusive distributor from 1905.
French blue or Paris blue refers to the company headquarters of A. Milori. Prussian blue, also Prussian blue, as well as Zwickau blue also refer to production locations.
The name bronze blue refers to the bronzing red tint that is evident in various binders. In particular, bronze blue refers to the reddish sheen of the unground, black-blue lumps.
Chinese Blue or China Blue takes its name from decorative porcelain. This production variant of the pigment produces the purest and most brilliant shades with a green tint. It gives the best full tone and the highest opacity, however it has the hardest texture and the highest oil requirement. Saxon blue refers to the color of the uniforms of the Saxon army, which were dyed with Berlin blue. Toner blue or ink blue got this name because of its use to tint the reddish (brown) tint of carbon black.
The names iron blue, iron cyanogen blue, iron hexacyanidoferrate, steel blue, iron cyanogen cyanide, ferrocyanogen blue and ferriferrocyanide blue as well as steel blue are derived from the structure or composition of the pigment. Potash blue refers to the use of potash in its manufacture. Until World War I, the cation of the complex salt was predominantly potassium. When the price of potash rose sharply in the early 20th century, the ammonium salt was produced with equally good properties. Iron blue also refers to an ancient pigment from the mineral vivianite.
Luisenblau, Modeblau, Wasserblau are product names for modified colorants in textile dyeing and may have originated as names for fashion dyes. The reddest pigment is Milori blue, the greenest variant is Chinese blue.
In the Frenchlanguage area the designations Bleu de prusse or Bleu de Milori are common, in the English language area the designations iron blue, toning blue or Prussian blue.
Occurrence
Berlin blue is considered to be the first modern pigment that does not occur naturally in this form. One of the main components, potassium hexacyanidoferrate(II), on the other hand, occurs as the rare mineral kafehydrocyanite.
Questions and answers
Q: What is Prussian blue?
A: Prussian blue is a dark blue colour that is artificially made.
Q: What is another name for Prussian blue?
A: Another name for Prussian blue is Berlin blue.
Q: How was Prussian blue first discovered?
A: Prussian blue was accidentally found in 1704 by two chemists in Berlin.
Q: Who wore uniforms dyed with Prussian blue?
A: The Prussian army wore uniforms dyed with Prussian blue.
Q: Is Prussian blue a natural pigment?
A: No, Prussian blue is one of the first pigments made synthetically.
Q: What colour is Prussian blue?
A: Prussian blue is a dark blue colour.
Q: When was Prussian blue discovered?
A: Prussian blue was discovered in 1704.
Related articles
Author
AlegsaOnline.com Prussian blue Leandro Alegsa
URL: https://en.alegsaonline.com/art/79794
Sources
- painting.about.com : "Artist's Pigments: The Accidental Discovery of Prussian Blue"
- cbc.ca : "Ancient dye could brighten computer storage"
- bt.cdc.gov : "Radiation Emergencies > Emergency Instructions > Fact sheet: Prussian blue"