Meme: Cultural idea, imitation, and online phenomenon
A meme is a unit of cultural transmission—an idea, practice, or style—that spreads by imitation. This article outlines its origins, mechanisms, digital forms, social roles, scholarly debates, and ethical issues.
Overview
A meme is a unit of cultural information that spreads from person to person by imitation, copying, or replication. In everyday use the term most often refers to humorous or topical items circulated online, but it also applies to older and longer-lived cultural elements such as proverbs, melodies, slogans, fashions, or technical practices. At its simplest a meme can be described as an idea or an observable style that propagates through social interaction and transmission.
Image gallery
5 ImagesOrigins and conceptual history
The word "meme" was coined in the mid-1970s by a biologist and writer to capture an analogy between cultural change and biological evolution. That formulation proposed that tunes, catch-phrases, beliefs, clothing fashions, and practical skills can behave like replicators—entities that persist because they are copied by people. Early examples included simple cultural items such as tunes and Richard Dawkins used familiar examples like catch-phrases and tool-making to illustrate the concept. The idea linked discussions of human culture with insights from biology, suggesting common processes of variation, selection, and retention.
Mechanisms of spread and variation
Memes spread through channels of communication: interpersonal conversation, print, broadcast media, and increasingly via digital platforms. When transmitted, a meme may be copied exactly, adapted, or recombined with other material. This mutability produces a family of variants that compete for attention. Selection pressures include ease of recall, emotional impact, novelty, and the social identity of those sharing the content. Memes that connect to existing beliefs or group norms, such as shared beliefs or aesthetic preferences like fashion, often spread more readily. Memes can also carry procedural knowledge, for example aspects of technology or craft techniques.
Internet memes and formats
Digital media have accelerated meme transmission and made remixing easy. Common internet formats include image macros (a picture plus caption), short videos, templates that invite variation, and hashtagged phrases. Online memes often function as jokes, commentary, political expression, or markers of group membership. Platforms encourage rapid replication and alteration, producing trends that can peak and fade within days or evolve into long-standing cultural references. Some online memes migrate into offline culture and vice versa.
Social roles, effects, and concerns
Memes serve several social roles: they entertain, create social bonds, transmit norms, and sometimes persuade. They can be used constructively for education and civic engagement, or destructively to spread misinformation, harassment, or manipulative propaganda. Because memes are easily modified, they can escalate controversy or distort facts while remaining compelling and shareable. Their role in political communication and media ecosystems has prompted study and policy attention.
Study, debates, and limitations
Scholars study memes from multiple perspectives—anthropology, cognitive science, communication studies, and digital sociology. Some researchers embrace the replicator metaphor and develop formal models of cultural transmission, while others criticize the approach for oversimplifying human agency, context, and meaning. There is ongoing debate about how far biological analogies can travel and which mechanisms best explain particular instances of cultural change.
Practical and ethical considerations
- Creators and sharers should consider consent, attribution, and potential harms when circulating content.
- Platforms and researchers are developing tools to track diffusion, assess impact, and mitigate harm without unduly limiting expression.
- Legal questions about copyright and transformative use arise when memes repurpose copyrighted material.
For broader context and further reading see introductory treatments of culture, accessible summaries in popular science and biology such as discussions of biology-inspired metaphors, and historical examples including tunes, Richard Dawkins’s original coinage, and discussions of ideas, styles, beliefs, fashion, and technology as transmissible cultural items.
Etymology and terminology
The word meme is a made-up word. It is etymologically based on the English word gene and has several other references:
- to the Greek μιμεῖσθαι mimeisthai (to imitate) and μῖμος mimos (mime, actor).
- to the French même (same)
- to the Latin memor (remembering)
- to the English mime (mime) and memory (memory, memory)
The English term meme was introduced in 1976 by the evolutionary biologist Richard Dawkins; he gave as examples for it: "ideas, beliefs, patterns of behaviour". With this cultural counterpart to the biological gene, he illustrated the principle of natural selection, whose basic unit is replicators of information. He described the term meme as a self-chosen artificial word that refers to the Greek term μίμημα, mimema ("something imitated").
Memetics is the term used to describe the principle of information transmission derived from it. The meme is reflected in the meme template (in the brain or another storage medium) and the meme execution (for example, communication: a score (memotype) is used to make music reproducible. The music actually sounding in the concert hall is correspondingly the so-called phenotype). For the terms meme template and meme execution, the terms memotype and phaemotype are often used in analogy to the pair of terms genotype and phenotype from genetics. The networking of mutually dependent memes was first described by Dawkins as a "coadapted meme complex", which was later combined into the artificial term memplex.
History of Theory
According to Dawkins' own statement, he fell back on the theses of the US-American anthropologist F. Ted Cloak Jr. (* 1931), expressed in 1975, about the existence of corpuscles of culture, of cultural corpuscles on the neuronal level, as the basis of cultural evolution. Dawkins does not distinguish whether a piece of information is located on a DNA segment, stored as a thought in the brain, printed as a sentence in a book or travels from person to person as a spoken word. Information reproduces, according to Dawkins, whether as a gene through cell division and the accompanying replication of the DNA strand, or by means of communication in the case of the meme. In this context, the transmission of the meme by communication is not to be understood as a copy ("blueprint") of a thought from brain to brain, but - by capturing the essential core of the message and passing it on - rather like a "baking recipe" for reproducing the same thought. Descriptive models of thought-measures are thus subject to very similar laws as those of evolution in biology. Dawkins speaks in this context of "universal Darwinism".
Memes as replicators of cultural evolution show a limited analogy to other replicators. Besides genes, Dawkins also mentions viruses, computer viruses or prions. In the analogy, processes of cultural replication - as in evolutionary theory - are also explained by variation and selection. Accordingly, imperfect replication leads to different reproductive success of different replicators. As with other replicators, collective autocatalytic associations of memes are formed.
Philosopher Daniel Dennett supported the concept of memetics in his work Darwin's Dangerous Idea: Evolution and the Meanings of Life. The cultural anthology formulated by Otto Koenig in 1970 can be described as an independent but intellectually related theory. It, too, deals with the evolution of culture, but does not use the construct of the meme for this purpose, but works purely descriptively.
From 1997 to 2005 there was a regularly published Journal of Memetics. Since 2009, there is the trimonthly journal Memetic Computing.
Questions and answers
Q: What is a meme?
A: A meme is an idea or style which spreads from one person to another.
Q: How do memes spread?
A: Memes spread in a similar way to how viruses spread to different organisms.
Q: Who invented the word "meme"?
A: The word "meme" was invented by biologist and evolutionary theorist Richard Dawkins in 1976.
Q: What are some examples of memes?
A: Examples of memes include tunes, catch-phrases, beliefs, clothing fashions, ways of making pots, and the technology of building arches.
Q: How do memes change over time?
A: Memes can change over time as they are photoshopped and exaggerated.
Q: Are there any limits on what a meme can be about?
A: No, there are no limits on what a meme can be about.
Related articles
Author
AlegsaOnline.com Meme: Cultural idea, imitation, and online phenomenon Leandro Alegsa
URL: https://en.alegsaonline.com/art/63725
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