C minor is a musical key and one of the standard minor scales built on the pitch C. In its simplest form the natural C minor scale consists of the pitches C, D, E♭, F, G, A♭ and B♭. The scale follows the natural minor step pattern of whole–half–whole–whole–half–whole–whole. For the general concept see minor scale.
Characteristics
The key signature of C minor contains three flats: B♭, E♭ and A♭, often shown in notation; more on notation can be found at key signature. The tonic triad (home chord) is C–E♭–G (C minor), commonly written in jazz and chord charts as Cm. Scale degree names from the tonic are: tonic (C), supertonic (D), mediant (E♭), subdominant (F), dominant (G), submediant (A♭) and subtonic or leading tone (B♭ or B♮ depending on the form).
Two altered minor forms are frequently used. The harmonic minor raises the seventh degree (B♭ → B♮) to create a stronger leading tone into C; this is characteristic of many classical cadences. The melodic minor raises both the sixth and seventh degrees (A♭ → A♮ and B♭ → B♮) when ascending and typically reverts to the natural minor when descending. These variations change melodic and harmonic possibilities while keeping the tonic and overall minor quality.
Relations to other keys
C minor shares its key signature with its relative major, which is E-flat major. The parallel major is C major — the same tonic but with a different quality and no flats in its signature. Composers exploit these relationships for contrast, modulation and expressive effect.
Uses and notable works
C minor has historically been associated with dramatic, heroic or tragic moods in Western classical music. Famous examples written in C minor include works by Ludwig van Beethoven such as his Symphony No. 5 and the Piano Sonata No. 8 ("Pathétique"), and Mozart's Piano Concerto No. 24 (K.491). The key remains common in film scores, contemporary classical pieces and popular genres; in jazz and pop charts the shorthand Cm denotes chords or tonality rather than a full modal description.
Practical considerations: performers must account for accidentals in harmonic and melodic minor passages, and arrangers often choose C minor when a low, resonant center or a particular dramatic color is desired. For further technical discussion consult general resources on scale construction and key functions in harmony.
